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    Hong Kong’s Asia Film Financing Forum 2025 Projects

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    Hong Kong’s Asia Film Financing Forum, the region’s leading movie project market, has unveiled the 25 titles selected for its upcoming 2025 edition. The program features films that are in development from some of Asia’s most accomplished directors and producers, including Kore-eda Hirokazu, Aditya Vikram Sengupta, Nai An, Stanley Kwan and Yeh Ju-Feng. 

    The three-day event, the anchor component of the expanded Hong Kong International Film Festival’s Industry Project Market, will take place March 17-19 at the Hong Kong Convention and Exhibition Centre alongside the 29th Hong Kong Filmart. 

    “Those shortlisted are remarkable for their cultural diversity. They showcase extraordinary storytelling in a broad range of genres, from action to sci-fi, fantasy, suspense, and horror,” noted HKIFF Industry director Jacob Wong, who added that the organization had received 276 in-development project submissions from 45 countries and regions, spanning Hong Kong, Thailand, Turkey, Japan, Kazakhstan and South Korea.

    “There are nine projects from female directors this year, as well as several collaborations involving filmmakers from Asia, Europe, and North America, underscoring Hong Kong’s position at the crossroads of the global film industry.”

    Wong added that 13 of the selected projects have already secured partial funding, with budgets ranging from $200,000 to $5 million. 

    In keeping with HAF’s mission to support new Asian talent, ten of this year’s projects are from debut directors. 

    Highlights include the France-China collaboration 49 Days from first-timer Hu Wei. Produced by Sylvie Pialat and Nai An, the film follows a divorced Chinese couple who reunite in Paris to arrange their son’s funeral and confront their past. From India, Aditya Vikram Sengupta produces new director Niladri Mukherjee on Republic of Mahalaxmi Apartment, which examines the country’s majority rule issues through a single-mother tenant who becomes her housing estate’s public enemy when she flags a malfunctioning elevator. Esteemed Japanese auteur Kore-eda Hirokazu, meanwhile, has thrown his support behind newcomer Yamaura Miyoh, the director of Yellow, which grapples with a character living a life of self-punishment after his involvement in a fatal car accident. 

    The bulk of this year’s projects feature original stories, although there are two adaptations in the mix. Adapted from Chinese sci-fi writer Gu Shi’s Hugo Award-shortlisted novelette, filmmaker Wang Kunlin’s 2181 Overture focuses on a scientist who, upon waking up from cryogenic hibernation, must adjust to a new world while finding her lost daughter through a book she left behind. Edmund Yeo (Aqérat), a past winner of the Tokyo International Film Festival’s best director prize,  will direct The Age of Goodbyes, based on Malaysian writer Li Zi Shu’s bestselling novel.

    Two projects featuring hometown Hong Kong directors are also in the mix. In Fan Ka Chun’s horror suspense thriller Something in the Way, a detective suffering from face blindness must stop himself from becoming a monster as repressed memories of his missing mother resurface. Open Fire by Sze Pak-lam and Lau Wing-tai (Guilt By Design), meanwhile, is a crime action-cum-disaster film that revolves around a firefighter who must rescue his wife from a slum fire ignited by Interpol during their raid on terrorism.

    Wong added the HKIFF Industry Project Market will feature several animation projects at different stages of development or production in a new standalone section this year. Those shortlisted animation projects will be revealed in mid-February. The second edition of the biannual HKIFF Industry-CAA China Genre Initiative, a new program dedicated to Chinese-language genre films, won’t take place until 2026, but CAA China will offer a new script development award during this year’s market. 

    The Hong Kong International Film Festival Society’s full selection of in-development projects for 2025 is below. 

    2181 Overture**, Mainland China, Canada
    Director: Wang Kunlin
    Producer: Zhao Zheyuan
    Production Company: Yeahcheer Pictures Co.

    49 Days, France, Mainland China
    Director: Hu Wei
    Producer: Sylvie Pialat, Nai An
    Production Company: Les films du Worso

    Aanaikatti Blues, India
    Director: Arun Karthick
    Producer: Madhu Mohan
    Production Company: Manvasanai Cinema

    The Age of Goodbyes, Taiwan, Malaysia
    Director: Edmund Yeo
    Producer: David Tang, Edmund Yeo, Dennis Lai, Zhao Jin
    Production Company: Renaissance Films Limited

    Besik. Homecoming, Tajikistan, Kazakhstan
    Director: Iskandar Usmonov
    Producer: Diana Ashimova, Yerlan Ibragim, Iskandar Usmonov
    Production Company: A Team

    The Bird Chaser, Mainland China
    Director: Zeng Zhi
    Producer: Li Tianyu, Joey Zhu Yinying
    Production Company: Beijing Pinwu Cultural Communication Co., Ltd.

    The Circumciser, The Philippines
    Director: Jun Robles Lana
    Producer: Perci Intalan, Ferdy Lapuz
    Production Company: The IdeaFirst Company

    Dead Tide, Malaysia
    Director: Kethsvin Chee
    Producer: Lee Sinje, Jin Ong
    Production Company: Fast Forward Films Sdn Bhd

    Drive South Pray West, Thailand
    Director: Panu Aree, Kong Rithdee
    Producer: Panu Aree
    Production Company: Drive South Pray West Pictures

    Giant Salamander, Mainland China
    Director: Yang Heng
    Producer: Yang Heng
    Production Company: Xiangxi Meixi Space Culture Media Co.

    Gone with the Wind, Mainland China
    Director: Zhao Yanming
    Producer: Aubrey Zheng Liyan
    Production Company: Beijing Daxiwang Culture Media Co., Ltd.

    Indigo Boy, Taiwan
    Director: Bill Chia
    Producer: Yeh Ju-Feng, Ivy Y.H. Chiang
    Production Company: Fragrant Creative Integration Co., Ltd.

    Innocent Flesh, Mainland China
    Director: Lin Yihan
    Producer: Li Yuwen, Hattie Yu
    Production Company: Vast Vista Films

    Lanka, India
    Director: Saurav Rai
    Producer: Saurav Rai, Ankita Purkayastha
    Production Company: Neonate Audio LLP

    Mabui, Japan
    Director: Fukunaga Takeshi
    Producer: Yamaguchi Shin, Eric Nyari
    Production Company: KNOCKONWOOD Inc.

    Open Fire, Hong Kong
    Director: Sze Pak-lam, Lau Wing-tai
    Producer: Ivan Wong
    Production Company: Scene One Picture Limited

    Pivot, Turkey
    Director: Melisa Önel
    Producer: Alara Hamamcioğlu Bayraktar
    Production Company: Vigo Film

    Republic of Mahalaxmi Apartment, India
    Director: Niladri Mukherjee
    Producer: Aditya Vikram Sengupta, Priyankar Patra
    Production Company: For Films

    See You There, Mainland China, Hong Kong
    Director: Wong Yi-kwan
    Producer: Wang Hongwei, Song Dafa
    Production Company: Beijing Density Blue Film and Television Company

    Seoulers, South Korea, USA
    Director: Hee Young Pyun, Jiajun Oscar Zhang
    Producer: Heejung Oh, Huang Yue, Christine Shen
    Production Company: Seesaw Pictures

    Somatization, Mainland China
    Director: Sun Xiao
    Producer: Wang Hongwei, Song Dafa, Lyu Hang
    Production Company: Beijing Granary Film Culture Co., Ltd.

    Something in the Way, Hong Kong
    Director: Fan Ka-chun
    Producer: Lam Suk-yin
    Production Company: LOUDPROVISION

    A Stranger at My Door, Hong Kong, Mainland China
    Director: Zheng Lu Xinyuan
    Producer: Stanley Kwan Kam-pang
    Production Company: N/A

    Waves Under the Sea, Macau, Hong Kong, Mainland China
    Director: Chan Sileong
    Producer: Chan Hing-kai, Robin Yung
    Production Company: N/A

    YELLOW, Japan
    Director: Yamaura Miyoh
    Producer: Kore-eda Hirokazu, Ohinata Jun
    Production Company: BUNBUKU

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